13 tools
Every box, and the problem it solves
Sold through dealers worldwide. Each one built by hand in Hollywood.
The problemTwo mics on one source, out of phase. The polarity switch only gives you 0 or 180.
IBP
IBPThe problemA bass or kick that has the low end but not the weight you can feel.
VOG Variable-Q Bass Resonance Tool
VOGThe problemThe VOG resonance tool, needed on its own channel without a preamp in front.
iVOG
IVOGThe problemOne instrument, three amps. Splitting the signal without hum, loss or a phase mess.
PCP Instrument Distro
PCPThe problemA DI and a reamp in one box, so the guitar you tracked can go back out to a real amp.
Redeye Phantom / DI Reamp
REDEYEThe problemDon Smith wanted a specific sound. This box is the answer he asked Little to build.
Redcloud
REDCLOUDThe problemA DI that has to survive a stage and still sound like the instrument, not the box.
Pepper Distortion / Boost
PEPPERThe problemA headphone amp on the bench that has to be accurate enough to make decisions on.
Monotor Headphone Amp
MONOTORThe problemA microphone preamp built the way Little would build it, with nothing hidden.
LMNOPRE Microphone Preamp
LMNOPREThe problemCompression that levels the signal without anyone in the room noticing it happened.
LL2A Leveling Amplifier
LL2AThe problemGetting an instrument cable across a stage, split and intact, with no transformer colour.
STD Send / Transformer Direct
STDThe problemThe broad, musical tone shaping of a 1970s console EQ, discrete and active.
That 70s EQ
THAT70SEQThe problemThe rack kits, power supplies and cables that keep the boxes in service.
